Sue Grafton Alphabet series
A
is for Alibi 3
hours abridged
Judy Kaye
Plenty
of people in the picturesque town of Santa Teresa, California, wanted Laurence
Fife, a ruthless divorce attorney, dead. Including, thought the cops,
his young and beautiful wife, who was convicted of the crime.
Now, eight years later and out on parole, Nikki Fife hires Kinsey Millhone to
find out who really killer her husband. Kinsey must pursue a trail
that's eight years old: one that leads from a young boy, born deaf, whose memory
cannot be trusted; to a lawyer defensively loyal to his dead partner - and
disarmingly attractive to Millhone; to a not-so-young secretary with too high a
salary for far too few skills.
This train will twist to include them all, with Kinsey following every turn
until it finally twists back on itself and she fins herself face-to-face with a
killer cunning enough to get away with murder.
B
is for Burglar 3
hours abridged
Judy Kaye
Beverly
Danziger looked like an expensive, carefully wrapped package from a good but
conservative shop. Only her compulsive chatter hinted at the nervousness beneath
her cool surface. It was a nervousness out of all proportion to the problem she
placed before Kinsey Millhone. There was an absent sister. A will to be settled
- a matter of only a few thousand dollars. Mrs. Danziger did not look as if she
needed a few thousand dollars. And she didn't seem like someone longing for a
family reunion. Still, business was slow, and even a private investigator has
bills to pay. Millhone took the job. It looked routine.
Elaine
Boldt's wrappings were a good deal flashier than her sisters, but they signaled
the same thing: The lady had money. A rich widow in her early forties, she owned
a condo in
Elaine
Boldt went missing, her next-door neighbor and bridge partner had been murdered
and the killer was still at large.
A
house destroyed by arson. A brutally murdered woman. A missing lynx coat. An
apartment burgled of valueless papers, another ransacked in a melee of mindless
destruction. And more murder. As Millhone digs deeper into the case, she finds
herself in a nightmarish hall of mirrors in which reality is distorted by
illusion and nothing--except danger--is quite what it seems.
He
called himself Alvin Limardo, and the job he had for Kinsey was cut-and-dried:
locate a kid who'd done him a favor and pass on a check for $25,000. It was only
later, after he'd stiffed her for her retainer, that Kinsey found out his name
was Daggett. John Daggett. Ex-con. Inveterate liar. Chronic drunk. And dead. The
cops called it an accident -- death by drowning. Kinsey wasn't so sure.
Pulled
into the detritus of a dead man's life, Kinsey soon realizes that Daggett had an
awful lot of enemies. There's the daughter who grew up with a cheating drunk for
a father, and the wife who's become a religious nut in response to an
intolerable marriage. There's the lady who thought she was Mrs. Daggett -- and
has the bruises to prove it only to discover the legal Mrs. D. And there are the
drug dealers out $25,000. But most of all, there are the families of the five
people John Daggett killed, victims of his wild, drunken driving. The D.A.
called it vehicular manslaughter and put him away for two years. The families
called it murder and had very good reason to want John Daggett dead.
Deft,
cunning, and clever, this latest Millhone mystery also confronts some messy
truths, for, as Kinsey herself says, "Some debts of the human soul are so
enormous only life itself is sufficient forfeit" -- but as she'd be the
first to admit, murder is not a socially acceptable solution.
Floral
Beach wasn't much of a town: six streets long and three deep, its only notable
feature a strip of sand fronting the Pacific. It was on that sandy beach
seventeen years ago that the strangled body of Jean Timberlake had been found.
The
people of Floral Beach didn't pay a whole lot of mind to past history,
especially when Bailey Fowler, the self-confessed killer, had been properly
processed and convicted. They weren't even unduly concerned when, a year after
the murder, Fowler walked away from the men's prison at San Luis Obispo, never
to be seen again. After all, everyone knew Jean had been a wild kid. "Like
mother, like daughter," some said--though never within hearing of Shana
Timberlake, who, whatever her faults, still mourned her murdered child.
And
then, by sheer fluke, the cops stumbled on Bailey Fowler. And a case seventeen
years dead came murderously to life again.
It's
the fifth of May and Kinsey is celebrating her 33rd birthday. One of her
presents is a call from a fellow detective warning her that she's made the hit
list of Tyrone Patty (a killer she helped track down) and suggesting she hire a
bodyguard. But Kinsey has better things to do with her money. Instead, she takes
on her next case -- tracking down her new client's eccentric mother who is
missing from her trailer home on the edge of the Mojave Desert. But before she
can get very far in the case, Kinsey is run off the road by a red pickup truck,
wrecking her '68 Volkswagen and landing herself in the hospital.
Maybe
a bodyguard is a good idea after all . . . Enter Robert Dietz, a burnt-out
detective, "late forties, five ten, maybe 170, [who arrives in] jeans,
cowboy boots, a tweed sport coat with a blue toothbrush protruding from the
breast pocket like a ballpoint pen."
I
is Innocent 3
hours abridged
Judy Kaye
Lonnie
Kingman is in a bind. He's smack in the middle of assembling a civil suit, and
the private investigator who was doing his pretrial legwork has just dropped
dead of a heart attack. In a matter of weeks the court's statute of limitations
will put paid to his case. Five years ago David Barney walked when a jury
acquitted him of the murder of his rich wife, Isabelle. Now Kingman, acting as
attorney for the dead woman's ex-husband and their child (and sure that the jury
made a serious mistake), is trying to divest David Barney of the profits of that
murder. But time is running out, and David Barney still swears he's innocent.
When Kinsey Millhone agrees to
take over Morley Shine's investigation, she thinks it is a simple matter of
tying up the loose ends. Morley might have been careless about his health, but
he was an old pro at the business. So it comes as a real shock when she finds
his files in disarray, his key informant less than credible, and his witnesses
denying ever having spoken with him. It comes as a bigger shock when she finds
that every claim David Barney has made checks out. But if Barney didn't murder
his wife, who did? It would seem the list of candidates is a long one. In life,
Isabelle Barney had stepped on a lot of toes.
L is for Lawless 3 hours abridged Judy Kaye
Kinsey agrees to do a favor for a
friend of a friend and gets herself into so much trouble that she promises at
the outset never to do such a thing again without careful consideration.
Henry Pitt, her longtime landlord asks her to help a
fellow neighbor find evidence that his grandfather served in the military during
the Second World War. With such proof, the man can be decently buried, courtesy
of the
M
is for Malice 4
hours abridged
Judy Kaye
"M" is for money. Lots
of it. "M" is for Malek Construction, the $40 million company that
grew out of modest soil to become one of the big three in
"M"
is for the Malek family: four sons now nearing middle age who stand to inherit a
fortune--four men with very different outlooks, temperaments, and needs, linked
only by blood and money. Eighteen years ago, one of them--angry, troubled, and
in trouble--went missing.
"M" is for Millhone,
hired to trace that missing black sheep brother.
"M" is for memories,
none of them happy. The bitter memories of an embattled family. This prodigal
son will find no welcome at his family's table. "M" is for malice.
And in brutal consequence,
"M" is for murder, the all-too-common outcome of familial hatreds.
"M" is for malice ...
and malice kills.
N
is for Noose 4
hours abridged
Judy Kaye
Kinsey
Millhone should have done something else--she should have turned the car in the
direction of home. Instead, she was about to put herself in the gravest jeopardy
of her career.
Tom Newquist had been a
detective in the
Newquist's
widow didn't doubt the coroner's report. But what
Kinsey should have dumped
the case. It was vague and hopeless, like looking for a needle in a haystack.
Instead, she set up shop in
O is for Outlaw 10.5 hours unabridged Judy Kaye
The call comes on a Monday morning
from a guy who scavenges defaulted storage units at auction. The weekend before,
he'd bought a stack of cardboard boxes. In one, there was a collection of
childhood memorabilia with Kinsey's name all over it. For thirty bucks, he was
offering Kinsey the lot.
What she finds among the items is
an old undelivered letter to her that will force her to reexamine her beliefs
about the breakup of her first marriage ... about the honor of her first husband
... and about an old unsolved murder.
It will put her life in the
gravest peril.
P is for Peril
6 hours abridged
Judy Kaye
Dr.
Dowan Purcell had been missing for nine weeks when Kinsey got a call asking her
to take on the case. A specialist in geriatric medicine, Purcell was a prominent
member of the Santa Theresa medical community, and the police had done a
thorough job. Purcell had no known enemies and seemed content with his life. At
the time of his disappearance, he was running a nursing care facility where both
the staff and the patients loved him. He adored his second wife,
It wasn’t Crystal who called Kinsey. It was Purcell’s ex-wife, Fiona.
Everything about their meeting made Kinsey uneasy. Fiona’s manner was
high-handed and her expectations unrealistic. Kinsey’s instincts told her to
refuse the job, yet she ended up saying, “I’ll do what I can, but I make no
promises.”
It was a decision she’d live to regret.
Pursuing the mysterious disappearance of Purcell, Kinsey crashes into a wall of
speculation. It seems everyone has a theory. The cops think he went on a bender
and is too ashamed to come home. Fiona is sure he ran off to get away from
Q is for Quarry
13 hours unabridged
Judy Kaye
S
is for Silence
12 hours unabridged
Judy Kaye
T is for Trespass
12.5 hours unabridged Judy Kaye CDIn what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene.
Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.
U is for Undertow 14 hours unabridged Judy Kaye CD
It's April 1988, a month before Kinsey Millhone's 38th birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is 27, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot, but he's willing to pay cash up front, and Kinsey agrees to give him one day.
As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true, or simply one more in a long line of fabrications?